PARLOPHONE_R2965_CE11288 - The 1945 Super Rhythm-Style Series – No. 13, GET HAPPY, (Arlen-Koehler), VIC LEWIS AND JACK PARNELL'S JAZZ MEN

PARLOPHONE_R2965_CE11290 - The 1945 Super Rhythm-Style Series – No. 14, SOMEDAY SWEETHEART, (Spikes), VIC LEWIS AND JACK PARNELL'S JAZZ MEN

PARLOPHONE_R3382_CE13206 - The 1951 Super Rhythm-Style Series – No. 9, SINCE MY BEST GIRL TURNED ME DOWN, (Lodwig-Quicksell), FREDDY RANDALL & HIS BAND

PARLOPHONE_R3382_CE13209 - The 1951 Super Rhythm-Style Series – No. 10, THAT'S A PLENTY, (Pollack), FREDDY RANDALL & HIS BAND

ODEON_O28549A_LCE13957 - CLARINET MARMALADE, Shields-Ragas, FREDDY RANDALL and his Band, F.Randall(tp)-N.Cave(tb)-B.Turner(cl/bar)-L.Green(g)-A.Staddon(p)-L.Hastings(d)-R.Stone(b)

ODEON_O28549B_LCE13958 - ORIGINAL DIXIELAND ONESTEP, La Rocca, FREDDY RANDALL and his Band, F.Randall(tp)-N.Cave(tb)-B.Turner(cl/bar)-L.Green(bjo)-A.Staddon(p)-L.Hastings(d)-R.Stone(b)

GAZELL_NY_90 - Limehouse Blues (Braham), Bob Wilber and His Jazz Band, Henry Goodwin, tp; Jimmy Archey, tb; Bob Wilber, cl; Dick Wellstood, p; Pops Foster, b; Tommy Benford, d.

GAZELL_NY_92 - When The Saints Go Marching In (Traditional), Bob Wilber and his Jazz Band, Henry Goodwin, tp; Jimmy Archey, tb; Bob Wilber, cl,ss; Dick Wellstood, p; Pops Foster, b; Tommy Benford, d.

CAPITOL_C15299_3338 - HIGH SOCIETY (Porter Steele-Walter Melrose), PEE WEE HUNT And His Orchestra

CAPITOL_C15299_3447 - WABASH BLUES (Fred Meinkin-Dave Ringle), PEE WEE HUNT And His Orchestra

CAPITOL_C2442_11005 - OH! (Byron Gay-Arnold Johnson), PEE WEE HUNT and his Orchestra

CAPITOL_C2442_11006 - SAN (Lindsay Mc Phail-Walter Michels), PEE WEE HUNT and his Orchestra

CLIMAX_505A_BN960 - MAPLE LEAF RAG, (SCOTT JOPLIN), ART HODES AND HIS CHICAGOANS, Max Kaminsky (trumpet), Ray Conniff (trombone), Rod Cless (clarinet), Art Hodes (piano), Kack Bland (guitar), Bob Haggart (bass), Danny Alvin (drums), Recorded NYC, March 18, 1944

CLIMAX_505B_BN962 - YELLOW DOG BLUES (W.C.HANDY), ART HODES AND HIS CHICAGOANS, Max Kaminsky (trumpet), Ray Conniff (trombone), Rod Cless (clarinet), Art Hodes (piano), Kack Bland (guitar), Bob Haggart (bass), Danny Alvin (drums), Recorded NYC, March 18, 1944

ELECTROLA_EG7716_OA037616 - Ain't Cha Comin' Home, Foxtrott, Hampton-Bernardi-Hathaway, Lionel Hampton Orchester, Recorded in New York on June 9, 1939

ELECTROLA_EG7716_OA037632 - 12th Street Rag, Foxtrott von Euday L.Bowman, Lionel Hampton Orchester, Piano:Lionel Hampton, Recorded in New York on June 13, 1939

BRUNSWICK_82583A_70773 - Flying Home, (Goodman-Hampton-Robin), Lionel Hampton u.s.Orchester, Solisten L.Hampton vib, I.Jackuet ts, E.Royal tp, recorded New York, NY, May 26, 1942

BRUNSWICK_82583B_72074 - Two Finger Boogie, (Lionel Hampton), Lionel Hampton und sein Septett, W.Culley tp, H.Fields as.A.Cobb ts, J. Mehegan p, W.Mackel g, Ch.Harris b, G.Jones d, L.Hampton vib, recorded New York, NY, May 27, 1945

PARLOPHON_P9808_20542 - Die Macht Des Schicksals (Verdi), II. Akt Finale:„Die Wunden brennen fühl´ ich nicht“, META SEINEMEYER, mit großem Opern-Orchester und Chor unter leitung von Dr. Weißmann

PARLOPHON_P9808_20543 - Die Macht Des Schicksals (Verdi), II. Akt Finale, Kirchenszene, Pater Guardian: „Die heilige Klause soll er bewohnen“, Kammersänger IVAR ANDRÉSEN, mit großem Opern-Orchester und Chor unter leitung von Dr. Weißmann